Found:


Clock and gunpowder horn

anonymous, c. 1590 - c. 1596, clockwork, NG-NM-7687

In 1596, Willem Barentsz, Jacob van Heemskerck and fifteen others spent the winter in an improvised shelter on the island of Nova Zembla off the north coast of Russia. Confined to their hut in the middle of the Polar winter, the men had no sense of night or day. A clock on the wall told the time,…

On display in room 2.9

Blue Macaw

Meissener Porzellan Manufaktur, 1731, BK-17496

German scientists discovered the ingredients of Chinese porcelain in the 18th century. Elector August the Strong was such a fan of this hard, translucent white material that he filled his Japanese Palace in Dresden with porcelain objects. In the 1730s, he had a series of large birds and animals…

On display in room 1.4

Self-portrait

Johan Gregor van der Schardt, c. 1573, bust, BK-2000-17

On display in room 2.3

Dolls’ house of Petronella Oortman

anonymous, c. 1686 - c. 1710, furniture, BK-NM-1010

The exterior of this dolls house is a work of art in its own right, with its mother-of-pearl and pewter veneer. The owners’ initials - Petronella Oortman and her husband Johannes Brandt, a cloth merchant in Amsterdam - are inlaid on both sides. Remarkably, all the domestic furnishings were made…

On display in room 2.20

Portrait of Don Ramón Satué

Francisco de Goya, 1823, painting, SK-A-2963

Goya was well-known as a court-painter and for his idiosyncratic prints. He had already turned 76 when he painted this powerful portrait. Don Ramón was a judge in the highest tribunal of Castile. The casual pose and open collar have an informality Goya usually reserves for the portraits of his most…

On display in room 1.13

A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

On display in Gallery of Honour

Still Life with Asparagus

Adriaen Coorte, 1697, painting, SK-A-2099

Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…

On display in room 2.24

The Fête champêtre

Dirck Hals, 1627, painting, SK-A-1796

Dirck Hals mostly painted people enjoying themselves, yet often included a moral message. In this painting of an ostensibly frivolous party, the chained monkey in the foreground represents man living in sin and unable to free himself. It is an admonition to the viewer to avoid licentious behaviour.…

On display in room 2.6

Banquet at the Crossbowmen’s Guild…

Bartholomeus van der Helst, 1648, painting, SK-C-2

Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…

On display in room 2.8

The Merry Fiddler

Gerard van Honthorst, 1623, painting, SK-A-180

On display in room 2.1