Found:


Shiva Nataraja

anonymous, c. 1100 - c. 1200, figure, AK-MAK-187

Shiva is depicted here as Nataraja (Lord of the Dance), standing in a ring of fire in the anandatandava position. He is both the creator and destroyer of the world. He is standing on a dwarf, symbolising ignorance. Richly decorated bronze statues of Hindu gods like this are carried in processions…

On display in Asian pavilion, room 1

Guanyin

anonymous, c. 1100 - c. 1200, figure, AK-MAK-84

The Buddhist deity Guanyin, who rescues people in need, is shown here meditating, seated on a rock. According to legend, he was once discovered in this position, meditating on the moon’s reflection in the water - in Buddhism a symbol of illusion and transience. His pose and facial expression embody…

On display in Asian pavilion, room 2

The Well-stocked Kitchen, with…

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

On display in room 0.6

A Windmill on a Polder Waterway,…

Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505

‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…

On display in room 1.18

Still Life with Asparagus

Adriaen Coorte, 1697, painting, SK-A-2099

Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…

On display in room 2.24

St Odulphuskerk in Assendelft

Pieter Jansz. Saenredam, 1649, painting, SK-C-217

Once a Catholic church, St Odulphus’s passed into Protestant hands at the start of the Dutch Revolt against Spain. The artist shows a service taking place. Worshippers are listening to the preacher on the right in the pulpit. Sermons are the main feature of a Protestant service. Saenredam came…

On display in room 2.14

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

The Jewish Bride

Rembrandt van Rijn, c. 1665 - c. 1669, painting, SK-C-216

It seems that Rembrandt painted his subjects as the biblical couple, Isaac and Rebecca. Its popular name, the Jewish Bride, is a later invention. The portrait is painted with an extraordinarily free hand, as in the sleeve, where the paint is especially thick and shaped to reflect the light.

On display in Gallery of Honour

Table ornament

Wenzel Jamnitzer, 1549, table peace, BK-17040-A

This receptacle stood on the table on special occasions. Although it was never used for food, since it was far too precious. It was made for the city of Nuremberg in 1549 by Wenzel Jamnitzer, then a world-famous silversmith. Jamnitzer produced incredibly intricate work using a new method. All the…

On display in room 2.3

Banquet at the Crossbowmen’s Guild…

Bartholomeus van der Helst, 1648, painting, SK-C-2

Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…

On display in room 2.8