Found:


The bodhisattva Manjushri

anonymous, c. 800 - c. 900, figure, AK-MAK-240

In China, Manjushri is venerated as one of the first advocates of Buddhism. On Java he appears as a young man wearing straps of jewellery across his chest. This Manjushri is probably gesturing the turning of the wheel of wisdom: this symbolises the start of the Buddhist cycle of learning and the…

On display in Asian pavilion, room 1

The Holy Kinship

Geertgen tot Sint Jans (workshop of), c. 1495, painting, SK-A-500

Christ’s family is gathered together in this fictional medieval church: the Holy Family, known in Dutch as the holy ‘maagschap’, an old word for kinship. Left, in a blue robe, the Virgin Mary is seated with Jesus, and alongside, her mother Anna. Behind are the two husbands: Joseph and Joachim.…

On display in room 0.1

Fishing for Souls

Adriaen Pietersz. van de Venne, 1614, painting, SK-A-447

Protestants (left) and Catholics (right) are competing for adherents by a river. The politicsal nature of the struggle between Protestants and Catholics is reflected in the presence of powerful rivals on either side. Left: Stadholder Prince Maurice and his brother Frederick Henry with their allies.…

On display in room 2.5

The Art Gallery of Jan…

Adriaan de Lelie, 1794 - 1795, painting, SK-A-4100

In 1792, Gildemeester, a merchant, turned two large rooms at his house on Amsterdam’s Herengracht into an art gallery. Here he stands proudly at the centre of the front room, speaking with one of his guests. Visitors are examining famous paintings, including a Rembrandt - above Gildemeester’s head.…

On display in room 1.10

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

Isaac and Rebecca, Known as ‘The…

Rembrandt van Rijn, c. 1665 - c. 1669, painting, SK-C-216

It seems that Rembrandt painted his subjects as the biblical couple, Isaac and Rebecca. Its popular name, the Jewish Bride, is a later invention. The portrait is painted with an extraordinarily free hand, as in the sleeve, where the paint is especially thick and shaped to reflect the light.

On display in Gallery of Honour

Portraits of Giuliano and Francesco…

Piero di Cosimo, 1482 - 1485, painting, SK-C-1367

This diptych shows a leading Florentine architect, Giuliano da Sangallo with his late father Francesco, also an architect and a musician. These are early examples of portraits in which the subject’s profession plays a key role. Here a pen and dividers suggest architecture, a melody in note form…

On display in room 0.5

Mary Magdalene

Jan van Scorel, c. 1530, painting, SK-A-372

The woman is Mary Magdalen. A jar of ointment is her usual attribute, with which she is said to have tended Jesus’s feet. Van Scorel portrayed her as a seductive, lavishly dressed courtesan, a reference to her apparent origins as a prostitute. Her costume shows the influence of Italian painting on…

On display in room 0.6

The Battle of Waterloo

Jan Willem Pieneman, 1824, painting, SK-A-1115

Emperor Napoleon met his final defeat at the Battle of Waterloo in 1815. This painting – the largest at the Rijksmuseum – shows the moment when the tide turned: the British general Wellington hears that the Prussian army is approaching. Victory, and an end to twenty years of war, is at hand. The…

On display in room 1.12

Self-portrait as the Apostle Paul

Rembrandt van Rijn, 1661, painting, SK-A-4050

Here, Rembrandt is about 55. In this portrait he represents St Paul, the apostle, identified by his usual attributes: a manuscript and a sword, of which the hilt extends from under the cloak. The self portrait is typical of Rembrandt’s late style of painting: he used the paint structure in the…