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Banquet at the Crossbowmen’s Guild…

Bartholomeus van der Helst, 1648, painting, SK-C-2

Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…

On display in room 2.8

Portrait of Jacob Cornelisz van…

Jacob Cornelisz van Oostsanen (workshop of), c. 1533, painting, SK-A-1405

Self portraits signal a growing awareness among artists of their own role. This work was long thought to be the earliest self portrait of an artist in the Northern Netherlands. Jacob Cornelisz is looking directly at the viewer; behind him on a piece of paper is the date, 1533, and the artist’s…

On display in room 0.6

River Landscape with Riders

Aelbert Cuyp, 1653 - 1657, painting, SK-A-4118

Travellers are resting their horses in a sun-soaked river landscape. To judge from their orange shawls, they seem to be Dutch army officers. Cuyp saw these steep hills when he travelled along the River Rhine between Nijmegen and Cleves. It was probably the sketches he drew there that formed the…

On display in Gallery of Honour

The Massacre of the Innocents

Cornelis Cornelisz. van Haarlem, 1590, painting, SK-A-128

On display in room 2.1

Still Life with Cheese

Floris Claesz. van Dijck, c. 1615, painting, SK-A-4821

Food is arranged here on a costly damask tablecloth: fruit, bread, cheese. In the 17th century, this kind of painting was known as a ‘breakfast’. Vivid colours contrast with each other. Each item is carefully placed. And by viewing the table from a high angle, Van Dijck ensured that no object was…

On display in Gallery of Honour

Portrait of a Couple, Probably…

Frans Hals, c. 1622, painting, SK-A-133

The fabulously wealthy Haarlem merchant and his wife commissioned their friend Frans Hals to paint their portrait in an unusual way. Seventeenth-century couples rarely appear together in a single painting, especially in such a nonchalant pose. Hals included all kinds of symbols of love in the…

On display in Gallery of Honour

A Mother Delousing her Child’s…

Pieter de Hooch, c. 1660 - c. 1661, painting, SK-C-149

A mother is inspecting her child’s hair for lice. They are in a sober Dutch interior, with Delft blue tiles and a bedstead. The chair on the right is a children’s toilet, with a built-in chamber pot. Through the door we see the back room, and catch a glimpse of the garden. These views into the…

A Pelican and other Birds near a…

Melchior d'Hondecoeter, c. 1680, painting, SK-A-175

Melchior d’Hondecoeter specialised in depicting birds. Here he painted a pelican, various ducks, a cassowary (left), a flamingo and an African crested crane. D’Hondecoeter was commissioned to paint the work by Stadholder William III and his wife Mary. It was intended for Het Loo palace, where…

On display in room 2.22

The Art Gallery of Jan…

Adriaan de Lelie, 1794 - 1795, painting, SK-A-4100

In 1792, Gildemeester, a merchant, turned two large rooms at his house on Amsterdam’s Herengracht into an art gallery. Here he stands proudly at the centre of the front room, speaking with one of his guests. Visitors are examining famous paintings, including a Rembrandt - above Gildemeester’s head.…

On display in room 1.10

The Seven Works of Mercy

Master of Alkmaar, 1504, painting, SK-A-2815

A town in Holland is the setting for a narrative strip showing how a good Christian should help the needy. In almost all the scenes, Christ appears among the onlookers. The scenes give a sense of town life around 1500. This is one of the many art works severely damaged when Protestants cleansed…

On display in room 0.4