Found:


The Well-stocked Kitchen, with…

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

On display in room 0.6

The Holy Kinship

Geertgen tot Sint Jans (workshop of), c. 1495, painting, SK-A-500

Christ’s family is gathered together in this fictional medieval church: the Holy Family, known in Dutch as the holy ‘maagschap’, an old word for kinship. Left, in a blue robe, the Virgin Mary is seated with Jesus, and alongside, her mother Anna. Behind are the two husbands: Joseph and Joachim.…

On display in room 0.1

A Mother Delousing her Child’s…

Pieter de Hooch, c. 1660 - c. 1661, painting, SK-C-149

A mother is inspecting her child’s hair for lice. They are in a sober Dutch interior, with Delft blue tiles and a bedstead. The chair on the right is a children’s toilet, with a built-in chamber pot. Through the door we see the back room, and catch a glimpse of the garden. These views into the…

On display in Gallery of Honour

A Pelican and other Birds near a…

Melchior d'Hondecoeter, c. 1680, painting, SK-A-175

Melchior d’Hondecoeter specialised in depicting birds. Here he painted a pelican, various ducks, a cassowary (left), a flamingo and an African crested crane. D’Hondecoeter was commissioned to paint the work by Stadholder William III and his wife Mary. It was intended for Het Loo palace, where…

On display in room 2.22

A Windmill on a Polder Waterway,…

Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505

‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…

On display in room 1.18

Worship of the Golden Calf

Lucas van Leyden, c. 1530, painting, SK-A-3841

On display in room 0.6

Portrait of Don Ramón Satué

Francisco de Goya, 1823, painting, SK-A-2963

Goya was well-known as a court-painter and for his idiosyncratic prints. He had already turned 76 when he painted this powerful portrait. Don Ramón was a judge in the highest tribunal of Castile. The casual pose and open collar have an informality Goya usually reserves for the portraits of his most…

On display in room 1.13

The Seven Works of Mercy

Master of Alkmaar, 1504, painting, SK-A-2815

A town in Holland is the setting for a narrative strip showing how a good Christian should help the needy. In almost all the scenes, Christ appears among the onlookers. The scenes give a sense of town life around 1500. This is one of the many art works severely damaged when Protestants cleansed…

On display in room 0.4

Still Life with Asparagus

Adriaen Coorte, 1697, painting, SK-A-2099

Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…

On display in room 2.24

Self-portrait

Vincent van Gogh, 1887, painting, SK-A-3262

After he heard his brother Theo describe the new colourful style of French art, Vincent decided in 1886 to move to Paris. He soon began experimenting with the new idiom in a series of self portraits. This was mainly to spare the expense of using models. Here he painted himself as a debonnaire…

On display in room 1.18