Found:


Guanyin

anonymous, c. 1100 - c. 1200, figure, AK-MAK-84

The Buddhist deity Guanyin, who rescues people in need, is shown here meditating, seated on a rock. According to legend, he was once discovered in this position, meditating on the moon’s reflection in the water - in Buddhism a symbol of illusion and transience. His pose and facial expression embody…

On display in Asian pavilion, room 2

Blue Macaw

Meissener Porzellan Manufaktur, 1731, BK-17496

German scientists discovered the ingredients of Chinese porcelain in the 18th century. Elector August the Strong was such a fan of this hard, translucent white material that he filled his Japanese Palace in Dresden with porcelain objects. In the 1730s, he had a series of large birds and animals…

On display in room 1.4

Chest with nine bottles

anonymous, c. 1680 - c. 1700, chest, NG-444

The box was probably made in Batavia (Jakarta). The bottles are from Japan. They would have been used for expensive spice oils to prepare food, perfumes or medicines. Representatives of the Dutch East India Company (VOC) would present these as gifts to Asian potentates.

Clock and gunpowder horn

anonymous, c. 1590 - c. 1596, clockwork, NG-NM-7687

In 1596, Willem Barentsz, Jacob van Heemskerck and fifteen others spent the winter in an improvised shelter on the island of Nova Zembla off the north coast of Russia. Confined to their hut in the middle of the Polar winter, the men had no sense of night or day. A clock on the wall told the time,…

On display in room 2.9

Self-portrait

Vincent van Gogh, 1887, painting, SK-A-3262

After he heard his brother Theo describe the new colourful style of French art, Vincent decided in 1886 to move to Paris. He soon began experimenting with the new idiom in a series of self portraits. This was mainly to spare the expense of using models. Here he painted himself as a debonnaire…

On display in room 1.18

Portrait of William I, Prince of…

Adriaen Thomasz. Key, c. 1579, painting, SK-A-3148

Of all the nobles in the Low Countries to join the revolt against the Spanish crown, the foremost was William of Orange (1533-1584). Raised at the court of Charles V, he was a consummate diplomat: hence his nickname, the Silent. He emerged as the leader of the insurrection against Spain. In 1580,…

On display in room 2.1

The Sick Child

Gabriël Metsu, c. 1664 - c. 1666, painting, SK-A-3059

A worried mother looks at her young daughter, slumped listlessly on her lap. Metsu chose an unusual subject, since depictions of poorly children are rare in 17th-century art. Perhaps he intended the mother to personify charity, Caritas. Then the picture of the Crucifixion on the wall would be a…

On display in room 2.25

The Well-stocked Kitchen, with…

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

On display in room 0.6

Worship of the Golden Calf

Lucas van Leyden, c. 1530, painting, SK-A-3841

On display in room 0.6

A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

On display in Gallery of Honour