Found:


Seated Cupid

Étienne-Maurice Falconet, 1757, BK-1963-101

This famous statue already had many nicknames in the 18th century. Perhaps the best known is l’amour menaçant - menacing love. The menace is mainly in the love god’s expression, while his gesture makes us complicit, through silence. The statue was carved for Madame de Pompadour, mistress of Louis XV…

On display in room 1.9

Portrait of Andries de Graeff

Artus Quellinus (I), 1661, bust, BK-18305

The De Graeffs were one of the leading merchant families of Amsterdam and highly influential. Like his father and brother, Andries was also a burgomaster. The superb bust was carved by Quellinus, who had been brought from Antwerp to Amsterdam to create sculptures for the new town hall. The plinth…

On display in room 2.18

Portrait of Michiel de Ruyter

Rombout Verhulst, 1677 - 1681, BK-NM-13150

Admiral De Ruyter was severely wounded in a battle against the French in the Mediterranean Sea in 1676. He died of his wounds and was buried in a place of honour in Amsterdam’s New Church. This bust was a model for the tomb.

On display in room 2.15

Still Life with a Gilt Cup

Willem Claesz. Heda, 1635, painting, SK-A-4830

In forty years, Willem Heda only ever painted still lifes. His paintings differ from the still lifes of his contemporaries: the colours are gentler, cooler and more harmonious. The bright yellow lemon peel is the only colour accent. In this work, Heda shows his skill in rendering different…

On display in Gallery of Honour

The Well-stocked Kitchen, with…

Joachim Bueckelaer, 1566, painting, SK-A-1451

It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these housemaids that forms the main theme of this painting. It is Jesus visiting Mary and Martha, shown almost as an aside in the distance. The contrast between foreground and background contains the moral…

On display in room 0.6

A Windmill on a Polder Waterway,…

Paul Joseph Constantin Gabriël, c. 1889, painting, SK-A-1505

‘Our country is colourful, juicy, fat. (...) I repeat, our country is not dull, not even in dull weather, the dunes are not dull either’, Constant Gabriël wrote in a letter. Unlike many artists of the Hague School, he preferred painting fine summer days. Here there are two: the grass, sky and…

On display in room 1.18

Worship of the Golden Calf

Lucas van Leyden, c. 1530, painting, SK-A-3841

On display in room 0.6

Portrait of Don Ramón Satué

Francisco de Goya, 1823, painting, SK-A-2963

Goya was well-known as a court-painter and for his idiosyncratic prints. He had already turned 76 when he painted this powerful portrait. Don Ramón was a judge in the highest tribunal of Castile. The casual pose and open collar have an informality Goya usually reserves for the portraits of his most…

On display in room 1.13

A Militiaman Holding a Berkemeyer,…

Frans Hals, c. 1628 - c. 1630, painting, SK-A-135

This cheery young man is raising his glass as if to propose a toast. Although the fashion was then for intricate, detailed paintings, Hals applied his paints with quick, confident strokes. This style of painting gives the subject a real sense of movement. This is most obvious with the right hand.

On display in Gallery of Honour

Still Life with Asparagus

Adriaen Coorte, 1697, painting, SK-A-2099

Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…

On display in room 2.24