Found:


Portrait of a Woman, Possibly Maria…

Rembrandt van Rijn, 1639, painting, SK-C-597

Maria Trip, daughter of one of Amsterdam’s wealthiest merchants, was twenty when Rembrandt painted her portrait. The artist placed Maria against a stone arch and devoted particular attention to the reflected light, the fashionable dress and jewellery. The costly garments are trimmed with strips of…

On display in room 2.8

Interior of the Sint-Odulphuskerk…

Pieter Jansz. Saenredam, 1649, painting, SK-C-217

Once a Catholic church, St Odulphus’s passed into Protestant hands at the start of the Dutch Revolt against Spain. The artist shows a service taking place. Worshippers are listening to the preacher on the right in the pulpit. Sermons are the main feature of a Protestant service. Saenredam came…

On display in room 2.14

The Holy Kinship

Geertgen tot Sint Jans (workshop of), c. 1495, painting, SK-A-500

Christ’s family is gathered together in this fictional medieval church: the Holy Family, known in Dutch as the holy ‘maagschap’, an old word for kinship. Left, in a blue robe, the Virgin Mary is seated with Jesus, and alongside, her mother Anna. Behind are the two husbands: Joseph and Joachim.…

On display in room 0.1

The Windmill at Wijk bij Duurstede

Jacob Isaacksz van Ruisdael, c. 1668 - c. 1670, painting, SK-C-211

Viewed from a low perspective, the mill contrasts majestically against the dark sky. The buildings further in the distance are the castle and St Maarten’s church at Wijk bij Duurstede, a major city in the Golden Age. The river in the foreground is the Lek. This is the epitome of a Dutch landscape:…

On display in Gallery of Honour

Portraits of Giuliano and Francesco…

Piero di Cosimo, 1482 - 1485, painting, SK-C-1367

This diptych shows a leading Florentine architect, Giuliano da Sangallo with his late father Francesco, also an architect and a musician. These are early examples of portraits in which the subject’s profession plays a key role. Here a pen and dividers suggest architecture, a melody in note form…

On display in room 0.5

Mary Magdalene

Jan van Scorel, c. 1530, painting, SK-A-372

The woman is Mary Magdalen. A jar of ointment is her usual attribute, with which she is said to have tended Jesus’s feet. Van Scorel portrayed her as a seductive, lavishly dressed courtesan, a reference to her apparent origins as a prostitute. Her costume shows the influence of Italian painting on…

On display in room 0.6

Winter Landscape with Ice Skaters

Hendrick Avercamp, c. 1608, painting, SK-A-1718

Hendrick Avercamp turned the winter landscape into a subject in its own right. A typical feature of his early work is the high horizon. This enabled Avercamp to focus on the dozens of figures on the ice. He showed all kinds of uncouth details in this bird’s-eye view, including couples making love…

On display in room 2.6

Portrait of a Girl Dressed in Blue

Johannes Cornelisz. Verspronck, 1641, painting, SK-A-3064

What made this such a popular portrait? That it shows a pretty child dressed in her finest clothes? As was usual at the time, the girl actually has an adult appearance. Her facial expression is all that shows she is playing the role. Unfortunately, we no longer know who she was.

On display in Gallery of Honour

Fishing for Souls

Adriaen Pietersz. van de Venne, 1614, painting, SK-A-447

Protestants (left) and Catholics (right) are competing for adherents by a river. The politicsal nature of the struggle between Protestants and Catholics is reflected in the presence of powerful rivals on either side. Left: Stadholder Prince Maurice and his brother Frederick Henry with their allies.…

On display in room 2.5

Italian Landscape with a…

Jan Both, c. 1650 - c. 1652, painting, SK-C-109

An artist has found a place to sketch by a wood, near a waterfall – perhaps it is Both himself. Travellers with heavy-laden mules are walking towards a plain bathed in Italian sun. Both was clearly fascinated by the Mediterranean light and stayed in Rome for a long time. Back in the Netherlands, he…

On display in room 2.17