Found:


Roemer with a poem to Constantijn…

anonymous, 1619, BK-1983-15

Anna Roemers Visscher engraved one of her own poems in a wineglass as a gift for Constantijn Huygens. The verse contains a complaint and an exhortation: her pen has dried up, her brain has rusted. She asks Huygens to fetch her some water from the Helicon – where the Muses live – so her ink will flow…

On display in room 2.8

Chest with nine bottles

anonymous, c. 1680 - c. 1700, chest, NG-444

The box was probably made in Batavia (Jakarta). The bottles are from Japan. They would have been used for expensive spice oils to prepare food, perfumes or medicines. Representatives of the Dutch East India Company (VOC) would present these as gifts to Asian potentates.

On display in room 2.9

Portrait of a Woman, Possibly Maria…

Rembrandt van Rijn, 1639, painting, SK-C-597

Maria Trip, daughter of one of Amsterdam’s wealthiest merchants, was twenty when Rembrandt painted her portrait. The artist placed Maria against a stone arch and devoted particular attention to the reflected light, the fashionable dress and jewellery. The costly garments are trimmed with strips of…

On display in room 2.8

Interior of the Sint-Odulphuskerk…

Pieter Jansz Saenredam, 1649, painting, SK-C-217

Once a Catholic church, St Odulphus’s passed into Protestant hands at the start of the Dutch Revolt against Spain. The artist shows a service taking place. Worshippers are listening to the preacher on the right in the pulpit. Sermons are the main feature of a Protestant service. Saenredam came…

On display in room 2.14

Self-portrait

Rembrandt van Rijn, c. 1628, painting, SK-A-4691

Despite his lack of experience, the young Rembrandt was not afraid to experiment. In this early self portrait the light brushes past his right cheek. The rest of the face is cloaked in shadow. It takes a moment to realise that the artist is staring intently, directly at the viewer. Rembrandt used…

On display in room 2.8

Fishing for Souls

Adriaen Pietersz van de Venne, 1614, painting, SK-A-447

Protestants (left) and Catholics (right) are competing for adherents by a river. The politicsal nature of the struggle between Protestants and Catholics is reflected in the presence of powerful rivals on either side. Left: Stadholder Prince Maurice and his brother Frederick Henry with their allies.…

On display in room 2.5

The Sick Child

Gabriël Metsu, c. 1664 - c. 1666, painting, SK-A-3059

A worried mother looks at her young daughter, slumped listlessly on her lap. Metsu chose an unusual subject, since depictions of poorly children are rare in 17th-century art. Perhaps he intended the mother to personify charity, Caritas. Then the picture of the Crucifixion on the wall would be a…

On display in room 2.25

Still Life with Asparagus

Adriaen Coorte, 1697, painting, SK-A-2099

Most of Coorte’s paintings are small, intimate still lifes. With their simple subjects - asparagus, or berries - his paintings contrast starkly with the magnificent, extravagant still lifes then in vogue. Those pictures are all about the profusion of valuable objects and foods, while here the…

On display in room 2.24

The Fête champêtre

Dirck Hals, 1627, painting, SK-A-1796

Dirck Hals mostly painted people enjoying themselves, yet often included a moral message. In this painting of an ostensibly frivolous party, the chained monkey in the foreground represents man living in sin and unable to free himself. It is an admonition to the viewer to avoid licentious behaviour.…

On display in room 2.6

Banquet at the Crossbowmen’s Guild…

Bartholomeus van der Helst, 1648, painting, SK-C-2

Civic guards were the city’s militia. They were volunteers. In Amsterdam, each district had its own company with its own headquarters. In the 17th century, larger and grander buildings were built. Group portraits of the members lined the walls. In 1648, Van der Helst immortalised this Amsterdam…

On display in room 2.8